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Representing African Music

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Representing African Music

Representing African Music
Author :
Publisher : Psychology Press
Total Pages : 292
Release :
ISBN-10 : 0415943906
ISBN-13 : 9780415943901
Rating : 4/5 (901 Downloads)
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Book Synopsis Representing African Music by : Victor Kofi Agawu

Download or read book Representing African Music written by Victor Kofi Agawu and published by Psychology Press. This book was released on 2003 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.


Representing African Music Related Books

Representing African Music
Language: en
Pages: 292

Representing African Music

Authors: Victor Kofi Agawu
Categories: Music
Type: BOOK - Published: 2003 - Publisher: Psychology Press

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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
The African Imagination in Music
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The African Imagination in Music

Authors: Victor Kofi Agawu
Categories: History
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The world of Sub-Saharan African music is immensely rich and diverse, containing a plethora of repertoires and traditions. In The African Imagination in Music,
Representing Black Music Culture
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Representing Black Music Culture

Authors: Bill Banfield
Categories: Social Science
Type: BOOK - Published: 2011-10-07 - Publisher: Scarecrow Press

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In this collection of essays, interviews, and profiles, William Banfield reflects on his life as a musician and educator, as he weaves together pieces of cultur
The Music in African American Fiction
Language: en
Pages: 272

The Music in African American Fiction

Authors: Robert H. Cataliotti
Categories: History
Type: BOOK - Published: 1995 - Publisher: Taylor & Francis

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First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Representing African Music
Language: en
Pages: 292

Representing African Music

Authors: Kofi Agawu
Categories: Music
Type: BOOK - Published: 2014-04-23 - Publisher: Routledge

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The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumpti